Did follow them from the beginning (thanks to John Peel... r.i.p.), now I did realise , that I did not listen carefully enough to the last one, they are still great, even after more than a three decades pause. Check them out. Their debut is for me top 10 ever... ;)
Emerging in the early 80s at the end of New York’s legendary No Wave scene alongside Manhattan comrades Sonic Youth and Swans, Live Skull reshaped the aggression of burned-out post-punk into heavy, guitar-driven dystopian rock tunes. This new release showcases their evolution, with Side 1 featuring recently recorded tracks, whilst Side 2 digs into the archives and includes four tracks from their 1989 Peel Session, released here for the first time.
“In A Perfect World,” the first single to be taken from the album, is fraught with the tension of our times. Sirens wail, then a bass crashes through. Cooped up in his apartment during “the darkest moment of the [COVID-19] shutdown in NYC,“ singer and guitarist Mark C wrote lyrics and recorded vocals while ambulances sped past outside. “I sat in the dark...and dreamed of a more perfect world to replace the damaged one we lived in,” he recalls. “But, as gritty guitar sounds and the incessant beat of the drum and bass line charged forward, I knew we belonged to this world of struggle and chaos.”
Struggle and chaos is nothing new for Live Skull. Mark C and his fellow founder, guitarist Tom Paine, were inspired by the nihilistic sounds of No New York and the dissonant walls of Glenn Branca and Rhys Chatham. Live Skull funneled those influences into hard-edged music that valued melody as much as anarchy. “We loved the noise and the chaos that was happening in the No Wave bands,” says Mark. “But we really tried to fit it into a song.”
Over the next decade, Live Skull released four albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group’s evolving sound. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler’s mid-’60s free-jazz or the implacable drone-dance of the early Velvet Underground. It’s one of the essential sounds of our time.”
Live Skull stopped playing in 1990–but for Mark C, there was still more to be said. So he reformed the group in 2016 with bassist Marnie Jaffe and drummer Richard Hutchins. Last year, an updated line-up with C, Hutchins and bassist Kent Heine recorded the first Live Skull album in nearly three decades, the urgent, forceful 'Saturday Night Massacre'. Now, just a year later and joined by guitarist Dave Hollinghurst, they return with ‘Dangerous Visions’, and this time everyone from the entire Live Skull history is involved.
Side one nods to that history via a fiery update on “Debbie’s Headache” (originally found on the 1987 album Dusted). It also includes three new studio tracks from the current quartet, along with a live recording of “Day One Of The Experiment” from a 2019 European tour. Though performed with joyful energy, these songs also confront our current darkness. As Mark C puts it, the marching “Dispatches “plays out in a dystopian landscape and is a cry for help or at least understanding when things start to go wrong”, while the pounding double bass line on “Twin Towers” forms “an ode to living through disasters that could have taken you down, be it anarchist bomb making in the West Village or planes crashing into the World Trade Towers.”
Side two of 'Dangerous Visions' reaches back to the late 80s, offering a slew of previously-unreleased material. The first four tracks come from a 1989 appearance on John Peel’s BBC radio show. Recorded during a tour for the album 'Positraction' and featuring Thalia Zedek on vocals, the session includes two songs written after that final release. “We hear where Live Skull might have gone next if the band hadn’t been destined to break up within the year,” explains Tom Paine. “The emotionally raw and somewhat unfinished-sounding “Someone Else’s Sweat”, and “Adema”, a jacked-up smash-n-grab that still makes a pretty fine impression.” Also included are “Alive Again”, a free-form outtake from the Dusted sessions, and an alternate mix of “Tri Power”–with Mark on vocals and, for the first time, Zedek on guitar–from the 1989 compilation 'Like a Girl, I Want You to Keep Coming'.
Such a wide range of sources could make for a scattered album, but Live Skull’s singular approach to music making unites everything on 'Dangerous Visions'. The band’s new tunes tear into the air with the same ferocity of their early material, while the unearthed tracks are still vitally relevant today. Four decades since they began, the world still needs music from this band that never stops evolving and pushing itself–because there’s still no one who sounds like Live Skull.
With artwork by celebrated illustrator and cartoonist Gary Panter, 'Dangerous Visions' will be released on CD, black vinyl, transparent purple vinyl (limited to 100 copies), transparent red vinyl (limited to 100 copies) and digital download. The digital edition comes with a bonus extra track. It is available to pre-order
released December 11, 2020
Mastered by Fred Kevorkian
Artwork by Gary Panter
"A dark and smouldering set." - Uncut
"Bursts with rebellious energy." - The Wire
"Appropriately tense and dissonant." - Classic Rock
"It feels like an unexpected visit from an old friend... A reinvigorated Live Skull." - Chicago Reader
This is a surprisingly coherent collection, the weirdo essence of Live Skull holding together the work of different line ups decades apart. If you like your rock music dark and intense, exploratory but still roughly song shaped then there’s probably something here for you to enjoy.
The bulk of the second side is a John Peel Session the band recorded during the Positraction tour and it’s great. - echoes and dust
Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York noise band. Together with
Sonic Youth and Swans, Live Skull defined the term "noise rock" in the 1980s, spearheading the post-No Wave underground music scene in NYC with a series of legendary live performances and eight groundbreaking records released over the course of that decade....more
supported by 23 fans who also own “Dangerous Visions”
I saw insane in the mid 90’s, they got my respect instantly, opening for slayer in 95. I’ve been a fan since, this album is stuff I’ve. Ever heard and it stands up with everything they have ever done and better than most out there. 3 guys and such a heavy sound. So damn good. This album is just unbelievable, thanks for giving me a chance to purchase and even listen to it. el_mero_mero